Moments

The magic moment…It is simply a psychological hot spot, a pulsation on an otherwise dead planet, a “real toad in an imaginary garden.” These queer moments, sometimes thrilling, sometimes just strange, momenets of setting off an altered state, a brief sense of escape from ordinary time and space–moments no doubt similar to those sought by religious mystics, or those experienced by people near death–are the soul of art, the reason people pursue it.

John Gardner in On Becoming a Novelist

That’s how it feels to read a good short story–there is something in it like that, that hits you.  And it’s not the same for everyone, which is why readers have different preferences, why editors might disagree.  As a writer, it’s a complex path.  I’ll have written a story, which seems only acceptable.  Then someone will read it, and they’ll fixate on one detail that somehow encompasses the whole damn thing for them.  And I look over it again–yes, that is a very nice detail, and does it resonate? Yes.  Did I plan it? No.  It just happens.  Boom.  That part looks good, keep going, try to do it again.  It’s hard.  It’s hard to believe those moments will happen when you feel you’re writing pages and pages of cathartic dribble.  But they do happen.  And I was thinking of these moments when I started reading Kathryn Davis’ The Thin Place, which I have very high hopes for (after reading an interview at Bookslut), when I came to the beginning of a new section on page 12:

The world was already acting strange millions of years ago. 

Water had its way with rock.  Liquid beat solid.  Ice is supposed to be obdurate, unyielding, but back then it rippled and flowed.  The glacier rode the world, and the world let it change it, like a girl riding her lover and turning his prick to foam.  Exactly the way it is today.

That is f-ing awesome.  That’s all there is to it.  And if you don’t agree with me, go read the actual book, and then if you still don’t see it, whatever–this is her sixth novel, so someone agrees with me.  It’s works on an extreme level.  And that takes confidence.  That takes a writer who believes in herself, who is ambitious, who takes risks.  There are grandios statements and vast brushstrokes, things that could be pinned cathartic dribble, but which actually strike people in their core when they encounter it, and that makes it art. I’m looking forward to reading the rest of The Thin Place.  And I’m glad there is room for this in the world of literary fiction: books which are not strictly realistic, but are maybe as truthful as it can get.

New Reads: Good and The Not So Good

I now feel completely alienated from my gender.

That’s what my friend Kim said after looking through the July issue of Skirt!, a magazine which is not new, but new to Atlanta.  I have to agree. 

On a more positive note, I just read Jenny Offill’s Last Things, which was a New York Times Notable Book of the Year in 2000.  It’s an addictive little book, which I flew through in two days.  What’s unique about this book is the first-person eight-year-old narrator, Grace.  I think there’s often a stigma against child narrators, as if the child filter will make a narrative less adult.  Well, this is certainly an adult book.  Many of the themes are common, but the uncommon voice puts a new spin on it, a new lens through which readers can see the world.  One word: haunting.

Beach Reads: Update

I didn’t get that much reading done at the beach.  The only book I finished was Barry Hannah’s Airships.  It wasn’t even on my beach reads list–ha.  As I was walking out the door I saw it on the shelf, remembered I had indeed purchased it, and thought to myself that is what I need.  I hadn’t read any of Hannah’s books before (hanging head in shame), and it was great.  Each story was unique and haunting in it’s own way, with some absurdity thrown in for good measure.  Funny stories, even if funny-sad, are hard to find.  Two of my favorites from Airships are “Return to Return” and “Mother Rooney Unscrolls the Hurt.” Now I will have to get my hands on his first novel, Geronimo Rex.

Here you can listen to Don Swaim’s 1993 interview with Barry Hannah, Hannah reading stories at the 2001 Ohio University Literary Festival, and Hannah reading an essay titled “Why I Write.”

I read more of Winesburg, Ohio, but not all of it.  And I have to say, that Anderson’s stories are great stories, but after Airships it felt slow.  I still wanted to be swept away in the craziness that is Hannah.  I started Invisible Cities and quickly decided it was not a beach book at all, and could not afford to be read while surrounded by large numbers of distractions: including but not limited to shuffleboard games, soccer games, swimming pool related galavanting, the ocean, bugs, sun, sweat, sand, children, passersby, and beer.  It will have to wait for another day. 

New Fiction

The 20th issue of McSweeney’s is finally out.  My friend Sam has a story in issue #20, so you should buy a copy. Support the arts, people.  I think the only place you can get a copy in Atlanta is Criminal Records.  I suspect Borders and Barnes & Noble don’t want to deal with the occassional cigar box issue McSweeney’s puts out in all their glorious subversion–you know booksellers like their shelves to be just so.  (You can also get McSweeney’s here, but you should opt to support the little guy.) Sam Miller also has a story online at AGNI, available for your immediate reading pleasure.

While not able to find McSweeney’s at Borders, I did pick up the recent issue of the Believer (a McSweeney’s publication).  I thoroughly enjoyed the article ” ‘They Want Us to Look’: Finding meaning in the meaningless sex of eighties teen sex comedies.”  And there’s also an amusing account of a modern day Repo Man scavenger hunt.

Lydia Williams has a story in issue #2 of Fresh Boiled Peanuts, an up and coming publication.

Chris Bundy’s story “Morning Prayers” has been anthologized in Where Love is Found: 24 Tales of Connection.  You can read an excerpt here.

Beach Reads

I’m taking five books to the beach with me.  I have no idea how much reading I might get done, and if I run out there will be plenty of people to borrow from, I know.  Here they are:

*Everything Is Illuminated, by Jonathan Safran Foer (Um, a good friend gave this to me in January. It won The Guardian first book award. I’m expecting to be floored by it, from everything I’ve read.  And the cover is completely awesome–mine is hot pink with a wacky yellow font. I love how the publishers had it produced with several different colored covers; White Teeth was like that too.)

*Invisible Cities, by Italo Calvino (I’m really looking forward to it.)

*Winesburg, Ohio, by Sherwood Anderson (Recommended by a friend, and required reading.)

*Quicksilver, by Neal Stephenson (No, I’m still not finished with it.)

*Pastwatch the Redemption of Christopher Columbus, by Orson Scott Card (An alternative history, supposed to be his best since Ender’s Game.)

Reading Habits

I used to read large chunks at a time–a novel in two days, that kind of thing.  But now that I have a toddler in tow, my reading comes in bits and pieces, often interrupted, always expecting to be interrupted.  I'll occasionally get some reading in before bed, or on the rare occasion that I get up before my son; more accurately, when my dogs wake me up before my son, and then only if I'm feeling ambitious.  I reserve the big (big meaning 3 hours) chunks of alone time I get (glorious preschool!) to writing.  And then there is the ever infamous basement I want to clean out this summer.  I've given away 5 garbage bags of crap to charity and haven't made a dent.  And, we've put many more things down there recently.  Bleh.

I started thinking of my reading habits while compiling my 'Reading' list for this blog.  The list is to share, but it's also for me to keep track of the books I've started, the ones I want to read next.  Making this list is a bigger endeavor than I thought.  I knew I was scattered, but while working on said list I realized I am literally in the middle of about 15 or 20 books, maybe more.  Most of them are novels or books of short stories, a few are non-fiction.  And I'm not even counting the literary magazines–we won't talk about that pile-up, like the copies of One Story that aren't even opened.  Or how I'm behind on Tin House, which I do love dearly.  To give you a preview since I haven't finished the static page yet: at the top of my in-progress list are On Beauty, Invisble Man, Winesburg, Ohio, Polysyllabic Spree, and Quicksilver. And just this morning I finished Other Electricities, which if I have time later I'll discuss further.  It was really good, but kind of like being drop kicked, or held under water…a sort of immersion.

What’s New

Eva Longoria is going to publish an erotic novel.

Irvine Welsh has a new book coming out: The Bedroom Secrets of the Master ChefI haven’t read Trainspotting, but I recently read “Lorraine Goes to Livingston: A Rave and Regency Romance,” which is the first of three tales in Ecstasy.  It was good, fresh.  I flew through it.  It’s 72 pages and 25 chapters.  It’s a good length for the stippling effect the short chapters give the narrative.  And the short length is also good for the subject matter–it’s like a short stroll (maybe during perilous weather?), a dive into cool water.  You can’t easily get away with carrying on with things like necrophilia and bestiality for 300 pages.

Rae Meadows’ has a personal essay at Nerve: Sex in Zion: My job at an escort agency for Mormons. She was working on her MFA at the time.

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