Knowing how to categorize your work is one of the most important skills a writer needs to know–especially while querying. Here’s an infographic to help. It’s not perfect and there are many places that writers won’t fit into and that doesn’t mean it’s not a marketable book. However, learning how to market yourself starts with knowing where your book stands and where it will sit on bookshelves.
Another year of AWP has drawn to a close, and countless editors, writers and journal staffers are heading back to their home institutions with swag bags, connections and newly autographed books.
Not everyone got to go to AWP, and I just want to say that’s OK. We’re all in this together. In case, like me, you were at home watching the literary world scroll by on social media, here’s what you can do to recreate the AWP experience:
First, stock up on wine. You’re going to need a lot of it. Start with half a plastic cup of unfortunately-sharp white as you pull from your shelves every literary journal, small-press book, and poetry collection you own. Arrange the books on your dining or coffee table in a pleasing display. Rearrange three times. Settle on the original arrangement–it should be about the work.
Find the last…
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On the 28th of February 1749, Henry Fielding’s novel The History of Tom Jones, a Foundling, was first published in London by Andrew Millar, who offered Fielding the sum of £700 for its exclusivity. It is generally seen as a Bildungsroman (coming-of-age or character-building novel) as well as a Picaresque novel (satirical or comic depictions of lower class characters). One of the first ever novels written in English prose, its story revolves around Tom Jones, a foundling discovered on the property of a very kind and wealthy landowner, Squire Allworthy, in Somerset, England. The illegitimate son of a serving wench and a local barber, he is raised by master Allworthy alongside his heir, Blifil, the son of Allworthy’s widowed sister. Tom grows into an amiable and joyful rascal, with a penchant for the ladies. However, his feelings for their noble neighbour’s daughter, Sophia Western, are true and…
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This week I present to you two books that are an interesting mix of nonsense and non-fiction. Math Curse and Science Verse, created by author/illustrator team Jon Scieska and Lane Smith, which, under the pretence of teaching maths and science embark on a fanciful, lyrical voyage into the minds of children as they grapple with concepts that seem to swallow life whole (or is it hole?). The books don’t exactly teach science and maths though there are certainly concepts, terms, numbers and equations in the mix. What they do do is do praise creative and whimsical thinking in combination with maths and science, the combine wordplay with these subjects and show that, with a dash of nonsense and wonder that perhaps… maths can be just a little fun? Afterall, haven’t we all wondered:
How many yards in a neighborhood? How many inches in a pint? How many feet in my shoes?
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Over the last few days, we’ve discussed Dickens’s A Christmas Carol and the various interesting facts that we’ve unearthed surrounding its composition, publication, and legacy. It is, of course, one of the most enduring stories of the Victorian age – perhaps of all time.
He’d already written ‘The Story of the Goblins Who Stole a Sexton’, featuring miserly Gabriel Grub, an inset tale in his first ever published novel, The Pickwick Papers (1836-7).
The tale shares many of the narrative features which would turn up a few years later in A Christmas Carol: the misanthropic villain, the Christmas Eve setting, the presence of the supernatural (goblins/ghosts), the use of visions which the main character is forced to witness, the focus on poverty and family, and, most…
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