Happenings

Five Points will be at AWP in New York City this year: January 30-February 2. Last year, the convention was in our hometown, Atlanta, and it was a blast. I, regretfully, am unable to make it this year. But be sure to come visit my colleagues at booth B68 at the book fair. We have new bear badges and great deals on subscriptions.

SUB-LIT is accepting submissions for the next issue and beyond. I need art, photography, high quality photos of original tattoo work. Check out the latest issue. Spread the word to artists and writers.

Edward Hirsch will read at Georgia State University on March 17, 4:00 in the Troy Moore Library. Why anything is scheduled on St. Patrick’s day, I don’t know. But you should go anyway.

Keegan Quotes

“Here’s some fish. It came from an old headache. It’s a big fat purple fish.” [Holding a wad of purple Play-Do]

[whispering in my ear] “Tyson puts his thumb in his mouth. He has a backpack with cars on it.”

[seriously] “Mommy, put this band-aid on your arm fur.” [Thanks, kiddo.]

[triumphantly] “This. This is my treasure chest!” [carting an empty Beast Light box he stuffed with curtain tie backs]

“Christmas trees are GREEN!” [I tried to have us buy a sparkly aqua one. We got a sparkly green one instead.]

“Cows make milk.” [Me: “Yes, and butter and cheese are made from…”] “NO! Goats make butter, and they carry it to the store. CHICKENS make the cheese.”[looking at me like I’m sooo out of the loop]

Meditations.

I’ve been having all sorts of fascinating conversations with my son lately. He just turned three. He’s not only a sponge for language, but his fantasy world is rich, often logical, surprising. He’ll rattle off a five minute narrative that begins with something concrete (the toilet overflowed) and leads to detailed fantasy (the account of building the boat after the entire house filled with water). We’ve been discussing, for weeks, the difference between “drain” and “drought.” A drought is hard to grasp, I guess. It equals “drain” in his speech. We can’t put more water in the bathtub because of the drought. And maybe the leaky drain.

Lately he’s been talking about dying: “Pick up the elephant [stuffed toy] or he will die! He fell into the water [the floor by the couch].” The couch is the boat, of course. Neither his father or I have cable, so he doesn’t watch much t.v. He watches his share of dvds, but they’re Sesame Street, Bob the Builder, that kind of thing. I’ve figured out he gets a lot of information from school, a Montessori school where ages 3-6 are in the same class. It’s a pretty structured class, but they do have time to chat on the playground.

Me: “Keegan, what is die? What do you mean?”

Him: “Die? That’s when you get lost.” (Looking at me like I’m an idiot for asking)

His explanation broke my heart. For one, it’s an appropriate explanation for his age. Or maybe it is what really happens. Maybe death is getting lost. I like that idea. So. I’ve been telling him not to worry about the elephant getting lost, that he’s just fine, that our boat is safe. But he has a mind for the dramatic. And there will always be older kids on the playground. We’ll see what comes up next week.

CL Fiction Contest Celebration

If you’re in Atlanta, you should stop by the Creative Loafing Fiction Contest Party on Thursday the 10th. It starts at seven. Two of my friends won first and second place this year. (Last year, if you remember, the great Brett Bender won first place.) This year, Laurah Norton Raines (she recruited me to work at SUB-LIT) placed first. Sam Miller (his work has appeared in McSweeney’s) placed second.

Creative Loafing Fiction Contest

The 2008 Creative Loafing fiction contest is officially over, and so are my hopes and dreams. Just kidding, sort of. Two of my friends claimed first and second place. Right now that list of names is on the DL, but I’m told I can give away names as of Monday the 7th. So check back then. As usual, there will be a celebration. From an email I got from CL:

Regardless, we¹d still like to invite you to the Fiction Contest party on
Thursday, Jan. 10, at 7 p.m. at Eyedrum (Suite 8, 290 MLK Jr. Drive SE,
Atlanta, GA 30312; 404.522.0655,
www.eyedrum.org).


The party, which is free to the public, is a great opportunity to meet other
writers in the community, listen to readings of the three winning entries,
and enjoy some live music and refreshments.We¹ll have beer on sale, with food and beverages provided by Café Intermezzo.

Aside from the readings, we¹ll have appearances and book
signings by our panel of judges (David Fulmer, Joshilyn Jackson and Fiona
Zedde). (Bound to Be Read Books will be on hand to supply copies of the
authors¹ works, but purchases are not necessary; bring your own copies if
you have ¹em.)
We¹re also happy to welcome the ambient sounds of Duet for Theramin and Lap Steel. (Check out their music at http://duetonline.net.)

Please come help Creative Loafing (along with the Chattahoochee Review)
support Atlanta¹s burgeoning literary scene. We think you¹ll like what you
hear.

SUB-LIT Issue 3: The Art

Dear SUB-LIT readers,

 

A few words on the art in issue three:

Kimy Martinez’s paintings from her Seizing Me collection are images created for an independent film: Seizing Me, a psychological thriller.  The “Seizing Me, Razor,” “Seizing Me, Buckle,” and “Seizing Me, Key” are realistic images with a distinct style: extreme lights and extreme darks are juxtaposed in a way to make the realistic subject matter almost more real, more present, more startling. The images command a presence, demand attention, creating a feeling of edginess, an edginess mirrored in the actions and gestures of the female figure.

Amy Johnson’s images may at first appear deceptively simple, but her paintings are jarring in their outward expression; “Been there done that” is a subversive, comic gesture toward a archetypal image and theme. Johnson has a knack for reworking traditional motifs into something engaging. Her work is deceptively playful; the play is doing directive work on the viewer, if you look closely.

H.L. Groen’s “Kinnari” is striking in its implications, the blending of woman and bird; Groen’s painting, with its bold colors and strong profile, stands confident. The image of the Kinnari, though solitary, points forward and backward to a large body of religious and mythological writings. Groen’s representation of woman sums up the selections I’ve made for this issue, representations of the world as painted by women.

Although I in no way sought out the theme of women and painting, the selections I was left mulling over at the end of the reading period happened to all be works of the same medium, and the artists happened to all be women.  A theme, not preconceived, emerged for this issue. I hope you enjoy the selections.

And don’t forget to send me your art. I’d love to see more photography. Spread the word.

Sincerely,

Amber Nicole Brooks

Art Editor, SUB-LIT

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