Interview with Elizabeth Crane

I am in the process of rereading Elizabeth Crane’s All this Heavenly Glory, which I love.

Bookslut has an interview up with her, which focuses on her newest book, You Must Be This Happy to Enter. From Bookslut:

The title’s perfectly apt: YOU MUST BE THIS HAPPY TO ENTER, with a ferociously happy Precious Moments creature staring at you from the cover, arms spread wide like a kid who can grasp the concepts of measurement to some basic degree. While these are stories for happy people, they’re not saccharine. While these aren’t saccharine, they’re far from depressing. In one story a woman becomes a zombie and makes the best of it by going on one of those midday Lifetime reality shows where a houseful of women trump their problems by earning gold stars and making paper crafts. All the while, you notice that there is no cynicism. None. Not even when a small town loses its color (more literally than figuratively, mind you).

I thought I had a few years

During a goodbye: 

Me: “Keegan, remember, if you want to say hi or talk over the weekend, you can call me on the phone.”

Keegan: [looking indignant, hands out for emphasis] “I just gave you a hug and a kiss. Like everyday! I do not need to call you on the phone!” [now walking away]

Me: “Ok then, bye!”

Keegan: “Bye!”

Keegan Said

“Mommy?”

“Yes?”

“What are those lines on your forehead?”

“Wrinkles. Wrinkles, honey.”

“Oh. Why?”

“Because I’m getting old.”

“Oh. Mommy?”

“Yes?”

“Your hair is a little bit dried out. A little bit dry.” [patting my hair]

“Yes, yes it is.”

Zombies are True (repost from one year ago)

Zombies are True

 Book Review… 

Link, Kelly. Magic for Beginners. Orlando: Harvest Books, 2006. 

The nine stories in Kelly Link’s second collection are fantastic, meaning incredibly good and also containing elements of fantasy.  They are innovative and down to earth, about people, the things people do and feel. Some of the most sparkling gems in this collection are “The Faery Handbag,” “The Hortlak” (my favorite), “Stone Animals,” and “Magic for Beginners.” The collection does not ostentatiously defy genre, but perhaps simply disregards the literary market’s desire for such superficial distinctions.  Link’s style is confident and innovative, borrowing from various traditions, most notably fantasy, horror, and fairy tale—humbling and improbable vestiges of life, worlds that exist only between the covers of the book.  But don’t all fictive worlds only exist in this capacity? 

Link achieves the nearness and reality of the world by oscillating between the ultimately fantastic and the simple basic truth of human reaction and interaction, what is and what is not.  In Link’s work, zombies exist as incidental, assimilated, mythic, harmless, feared, fictive, and real.  Zombies, like haunted objects and animated cats, can be considered in their relation to action, to private thought, to the larger continuing world.  In “The Faery Handbag,” as well as other tales in this collection, the shocking, inventive, and unfamiliar are crafted with beauty and a sensitivity to human interaction—attention to a character’s inner world as well as the outer.  These crossings of people, in and out of each other’s minds and physical worlds, is what is real.  In “Stone Animals,” Link explores this human interaction in a haunted, mysterious setting.  The plot folds in on itself in repetition, similar to how time and interaction repeatedly fold in and out for the characters.   

A reader of literary fiction may look askance at Link’s work, what has been called fantastic or fabulist, and wish to pass preliminary judgment based on preconceived notions of reality.  But there are often opposite ways of getting at the truth, and in Magic for Beginners Link has bravely forged her own path, a path any open reader will be drawn through, surprised by, pleased by, amazed by, and ultimately affected by.

Great “Best Of” List

I’m too lazy to compile a best of list for 2007. Also, I feel like ’07 slipped by without enough reading of contemporary work on my part. I did manage to almost read everything ever published by Eudora Welty, but, again, that’s not new. And, I read my share of student essays…So, I direct you to a fabulous best of list, compiled by Steph over at Natual/Artificial.

Link at GSU!!!

Kelly Link will read in Atlanta this month, along with Sarah Gorham. I am not familiar with Gorham’s work, but Link is one of my favorite contemporary writers. Her collection of stories Magic for Beginners is one of the most interesting, startling, colorful, and memorable books I’ve read. My three favorite stories from this collection are “The Hotlak,” “Stone Animals,” and “Magic for Beginners.” Zombies, rabbits, magic, and fabulation aside, Link’s work is full of, simply, good stories. I was so excited about her work that I’m sure I looked like a mute idiot back at AWP in Atlanta last February when I all of the sudden realized I was standing at the booth for the press she co-founded, Small Beer Press, and of course she was standing right there too.

The reading is Thursday February 21 at 7:30, in the Troy Moore Library at Georgia State University; it is open to the public. Earlier that day the New South’s Writing Workshop will host the third annual Conference on Literary Publishing, which is sponsored in part by Five Points and Poets & Writers. However, I believe the Conference may only be open to students and faculty at GSU.

WANTED

Ok. So. (imagine hand gestures meant to convey encouragement and excitement. )

I’m interested in profiling tattoo artists (and fabulous original tat work) in future issues of SUB-LIT. Please spread the word to those who might be interested. Submissions are open. I’d love to see some high quality photos of original tattoo work, as well as the usual photography, painting, comics, drawing, etc. I am open to anything, just make it good. It’s fun. It’s basically free advertising, especially if you own a studio or shop.

Amber Nicole Brooks
Art Editor
SUB-LIT

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